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Monday, January 27, 2020

CBCS Sem-2 "The Guide": Importance of the Character of Marco


Importance of the Character of Marco
R.K Narayan, one of the most prominent Indian English novelists, has a nice imaginative skill and can weave the characters according to the realistic extents. His characters in Swami and his friends show his artistic skill in narrating the village customs, sentiments and innocence of the people, where as The Bachelor of Arts exhibits the theme of love,The English Teacher deals with the tragic story of a man who spends his remaining life in the memory of his dead beloved wife. In The Guide Narayan lays bare the situations in the life of his titular character Raju and also satirizes the tendency of Indian people being carried away and easily duped by a pretentious sage.
One cannot help suspecting that R.K Narayan was less interested in developing Marco. He used this character in developing the consistency of the plot. Compared to Rosie and Raju, the character of Marco is not sufficiently explored to reader and only comes across to the reader filtered through Raju’s perception, rather than as an independent character in his own right. The husband of Rosie, Marco is a serious, studious, reticent scholar of ancient civilizations, an academician and archaeologist whose only passion is for his work. His research into the sites of ancient civilization has turned him into a perpetual tourist, as evidenced by the traveler’s clothes that he always wears. Arriving in the town of Malgudi on the railway one day to examine cave paintings. Marco hires Raju to show him the sights. One can feel pity towards the characterof Marco because it was a name given by Raju at railway station “I have, of course, no idea of the original Marco Polo’s appearance, but I wanted to call this man Marco at first sight, and have not bothered to associate him with any other name since.” He is also described as a person with uncertain moods, on one hand he acts as a miser unwilling to spend lavishly on the other hand he can pay any amount on the production of bills for his expenses.
His insensitivity and callousness towards everything other than his work is reflected in his neglect of Rosie during their visit to Malgudi. Marco’s controlling and dominant nature is also reflected in the ban that he imposes on Rosie, forbidding her to pursue the passion for classical dance which she nurtures. Marco’s rigidity and cruelty become apparent when, upon discovering that his unhappy and dissatisfied young wife has commenced an affair with his tourist guide, he completely ignores her for three weeks, and then abandons her at the railway station of Malgudi as punishment.Rosie compares Marco to Shakespeare’s Othello-“I felt too hurt. I thought that Othello was kindlier to Desdemona”.
However the apparently serious and heartless type of character Marco has another side to consider. He is an archaeologist and doing research which requires a lot of concentration and his labour bear fruits when His book, The Cultural History of South India, attracted a good publisher and complimentary reviews.“Three days later Marco’s photograph appeared in the Illustrated Weekly of Bombay, on the middle page”, shows his achievement of fame and respect. He is generous enough to return Rosie’s jewellery in his possession and also pays thanks to Raju for being his guide in his book.
Thus amidst the character transformations of the main characters including Raju and Rosie, Marco is a singular character who remains constant and dedicated to his strict disciplines and ideology. At the end one cannot but commend Marco for his dedication to his work and generosity towards a man and a wife who ditched him.

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